Tilt shift lenses are a photographer’s main tool when it comes to photographing architecture and it’s a tool an architectural photographer cannot live without. If you want to make money from being a photographer (learn more) then this is one key element that you should already be familiar with. Tilt-shift lenses have many uses but their primary function is to enable the photographer to control verticals when photographing large buildings or structures. Imagine taking a photograph of a tall building and the only way to fit the large structure in your image is to point your camera up, you will notice that the building will pinch at the top and start to look like a pyramid.
This is dream house sort of stuff. Stunning south facing garden, beautiful original features, (mostly) fantastic light and elegant interior design. Another one of the type of properties our York interiors photographer loves to photograph.
There’s no doubt about it, white/neutral walls make a house easier to photograph. Bouncing light off pale walls is as easy as pie for someone with years of experience in the game. And the photographs usually look pretty good. Sometimes though a bit of colour, and the challenges that brings to photographers can set a house apart and really make it sing. This period property had a great mix of both neutrals and strong colours. The results speak for themselves showing a house with soul and character.
A lovely winter scene, just North of York, that had me pulling over to get a shot.
This is our first post in what we hope will become a regular how-to feature. We will be covering items such as composition, equipment and weather. Our first post however, is on the field or lighting, specifically added light.
Lighting is one of the most important things when it comes to interior photography. It doesn’t matter how great the space is, if the light isn’t good then neither will the photograph be. Generally speaking light in a typical interior comes from two sources. Natural – the daylight coming in through the windows, skylights and doors and artificial light – the light from ceiling lights and table lamps etc. As a photographer we have a few options for controlling these light sources. Time of day plays a major role in regards to natural light. As does the weather. Wherever possible will try to take our photographs in the most suitable weather at the best time of day, whatever that might be for that particular room. We can’t however control how the light enters the room, we can control how much enters by additional tricks such as scrimming windows but the natural light will always come from a fixed direction. We are also able to control artificial lighting in a number of ways, from simply turning lights on or off to using dimmers or lower wattage bulbs. In order to do this, working with an electrician is the best way to get good bulbs and lights in the places that look good. By visiting websites such as https://kalahari-electrical.com/ and many more electrical company pages, you can gain advice on lighting from professionals.
We’re pleased to see one of our shots has been featured in an article on the homepage of Houzz attracting thousands of views and the image has been added to over 750 idea books.
Great photography is key to getting examples of your work out there so if we can help you to properly showcase your work as a kitchen designer, installer or maker get in touch and tell us about your project.
Don’t forget to check out the article yourself – click here