Tilt shift lenses are a photographer’s main tool when it comes to photographing architecture and it’s a tool an architectural photographer cannot live without. If you want to make money from being a photographer (learn more) then this is one key element that you should already be familiar with. Tilt-shift lenses have many uses but their primary function is to enable the photographer to control verticals when photographing large buildings or structures. Imagine taking a photograph of a tall building and the only way to fit the large structure in your image is to point your camera up, you will notice that the building will pinch at the top and start to look like a pyramid.
This is our first post in what we hope will become a regular how-to feature. We will be covering items such as composition, equipment and weather. Our first post however, is on the field or lighting, specifically added light.
Lighting is one of the most important things when it comes to interior photography. It doesn’t matter how great the space is, if the light isn’t good then neither will the photograph be. Generally speaking light in a typical interior comes from two sources. Natural – the daylight coming in through the windows, skylights and doors and artificial light – the light from ceiling lights and table lamps etc. As a photographer we have a few options for controlling these light sources. Time of day plays a major role in regards to natural light. As does the weather. Wherever possible will try to take our photographs in the most suitable weather at the best time of day, whatever that might be for that particular room. We can’t however control how the light enters the room, we can control how much enters by additional tricks such as scrimming windows but the natural light will always come from a fixed direction. We are also able to control artificial lighting in a number of ways, from simply turning lights on or off to using dimmers or lower wattage bulbs.